Ever since patch first sat around a campfire, and install that he was lonely and in need of comfort, he began to recollect in a higher precedent. That higher power evolved into a god, or perhaps eve many gods, plainly for the well-nigh part, that higher power became a force that could fake a mans destiny, his thoughts, his actions, for the rest of his life. His very institution could be shaped by this force. This force was spate. Man acceded to Fate often, sometimes even propitiated it, in order to retain some semblance of security. As Man grew intellectually, however, and understand more about himself and about the world in which he lived, he realized that this entity, Fate, was not as omnipotent as it had originally seemed. He realized that it was not Fate that controlled his destiny, it was filling, to be more specific, it was his choice. It was his choice that could raise him up to senior high school beyond his wildest dreams, or engross him down into the depths of darkest despair. The author J.R.R. Tolkien understood this realization, and harnessed its power in his trilogy of Middle-earth, The Lord of the Rings. He emphasised that choice, not Fate, shaped a mans destiny.
His characters choices could plant a mighty, animate quest to the brink of utter failure and destruction, or bring peace and happiness back down into a once frigidness and frozen life. One episode in the uttermost(a) book of the trilogy, The replication of the King, that illustrates the magnitude of the effects of a choice is one of the last scenes in the book, which takes place at the Cracks of Doo m. The protagonists of the story, Frodo Bagg! ins and Samwise Gamgee, confine risked life and offset to make their way into Mordor, the... If you want to ram a right essay, order it on our website:
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